19 Results for *pointillism*
หรือค้นหา: pointillism, -pointillism-

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pointillismลัทธิผสานจุดสี [ศิลปะ ๑๑ มี.ค. ๒๕๔๕]

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The father of pointillism. That Georges Seurat, you fuckin' baboon. พ่อของ Pointillism ว่า จอร์ชส Seurat คุณไอ้ลิงบาบูน The Art of the Steal (2013)
The father of pointillism. พ่อของ Pointillism The Art of the Steal (2013)
- The father of pointillism. - พ่อของ Pointillism The Art of the Steal (2013)
- (FRANCIE) And father of pointillism. - ฟราน: และพ่อของ Pointillism The Art of the Steal (2013)
- And father of pointillism. - พ่อและ Pointillism The Art of the Steal (2013)
The father of pointillism. พ่อของ Pointillism The Art of the Steal (2013)
I bet Seurat discovered pointillism like this. Ich wette, so kam Seurat auf den Pointillismus. The Color of Lies (1999)
Pointillism, they call it. Sie nennen es Pointillismus. Busey and the Beach (2004)
Pointillism's a style using points of color, this is neither. Pointillismus ist ein Stil, bei dem Farbpunkte eingesetzt werden. Das ist weder das eine noch das andere. Busey and the Beach (2004)
The father of pointillism. Vater des Pointillismus. The Art of the Steal (2013)
The father of pointillism. Vater des Pointillismus. The Art of the Steal (2013)
- The father of pointillism. - Seminal French Vater des Pointillismus. The Art of the Steal (2013)
- And father of pointillism. - Und Vater des Pointillismus. The Art of the Steal (2013)
- And father of pointillism. - Und Vater des Pointillismus. The Art of the Steal (2013)
The father of pointillism. Vater des Pointillismus. The Art of the Steal (2013)

WordNet (3.0)
pointillism(n) a school of painters who used a technique of painting with tiny dots of pure colors that would blend in the viewer's eye; developed by Georges Seurat and his followers late in 19th century France
pointillism(n) a genre of painting characterized by the application of paint in dots and small strokes; developed by Georges Seurat and his followers in late 19th century France

Collaborative International Dictionary (GCIDE)
Pointillism

n. (Painting) A theory or practice which is a further development, on more rigorously scientific lines, of the theory and practice of Impressionism, originated by George Seurat (1859-91), and carried on by Paul Signac (1863- -) and others. Its method is marked by the laying of pure primary colors in minute dots upon a white ground, any given line being produced by a variation in the proportionate quantity of the primary colors employed. This method is also known as (stippling). [ Webster 1913 Suppl. ]

Variants: Neoimpressionism

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